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Once confirmation has been received that your payment has been successful from your chosen payment method provider, then we can process your order and send your email containing your unique code and instructions on how to download the software from the Supplier.
When completing the checkout, please make sure that your email address is accurate so that we can get this to you as quickly as possible.
14-day money back guarantee included if product is not activated
You can purchase from Gear4music with complete confidence and peace of mind. All of our digital products come with a 14-day money-back guarantee as standard.
If you decide you don't want your order, you can return it within 14 days of receiving it. Provided your product hasn't been activated in that time, you can exchange it for a different product, or get a refund.
We will only issue a new product or refund if the supplier confirms that your product has not been activated. At the same time, we will ask them to invalidate it so that it cannot be used in the future.
This does not affect your statutory rights.
For more information, please refer to our Returns and Refunds Information.
If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.
Eligibility for Money Back Guarantee
Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software
We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.
In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.
When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.
This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.
| UK & Europe | EU Standard | Gear4music Standard | Gear4music Optional |
|---|---|---|---|
| Return Period | 14 days | 30 days | up to 180 days |
| Standard delivery charges refunded? | Yes | Yes | Yes, up to 30 days |
| Upgraded delivery charges refunded? | Standard costs only | Standard costs only | Standard costs only |
| Free collection on cancellation | No | No | Yes, up to 30 days |
| Free collection if defective, delivered damaged or incorrect item | Yes, within 14 days | Yes, within 14 days | Yes, within 30 days |
We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.
Key Features
The Sonnox Oxford TransMod (Native) lets you enhance or suppress the attack transient of your audio. Comprehensive controls allow you to fine-tune your transient processing to capture only what you want to whilst leaving the rest of your audio's envelope untouched. Using a unique algorithm, the TransMod does not use typical compression or clipping techniques but instead preserves the tonality of your audio, eliminating unwanted artefacts and tonal changes compressors introduce.
The perfect companion for giving life and excitement to your drum tracks, the TransMod lets you emphasise attack, adding punch and energy to your percussive elements. A proprietary Overdrive control lets you increase the perceived volume of your track while adding up to +6dB of gain over the maximum digital ceiling without introducing clipping to your sound. Up to +/-24dB of gain is on tap to completely reshape your sound, pushing it to the forefront of the mix or creating distance from the user by removing transient information. A studio classic, the Oxford TransMod will quickly become your go-to for restoring punch and power to dull and lifeless tracks.
Product Ref: 228410
Take control over the envelope of your sampled or recorded instruments with TransMod. Ideal for setting the distance an instrument is within your mix, TransMod can be used to bring instruments forward to the forefront or to set them further back in the mix creating distance between the listener. The unique processing and algorithms employed within Oxford TransMod operate unlike anything else. The signal is not being compressed so TransMod remains clean and pristine, not introducing any unwanted artefacts as a compressor or clipper would.
Incredibly simple and easy to use, TransMod features only a few controls to alter the attack transient of your audio signal. Take rhythmic instruments and modulate their attack level to reshape your track. Input gain can be used to drive the signal going into the plug-in to alter what level the transients are detected by TransMod.
Threshold and Deadband controls determine exactly what incoming transients have processing applied to them, making it ideal for catering to different audio tracks to get the right sound for your mix. The Ratio control determines whether positive or negative transient shaping will take place. This is where you will be able to change the attack envelope of your sound by boosting it to add punch and power or removing it for a more washed-out sound. Overshoot enables you to fine-tune how long after the initial transient has been detected where TransMod still applies processing. Pushing the Overshoot control will result in more of the envelope being processed. Both Rise and Recover times operate similar to a release response, determining the speed at which TransMod applies processing to your attack. Most exciting of all, the Overdrive control adds harmonic saturation to boost the perceived loudness of your sound whilst allowing peaks of up to +6dB over digital ceiling levels without introducing any peaking.
Whilst it functions best on percussive instruments, TransMod performs well on electric guitars for example. TransMod can be used to help guitars cut through the mix better without having to push and drive faders up, eating up precious headroom and clarity within a mix. By adding attack to guitar signals, you can add an edge to your sound to cut through the mix without adjusting the overall balance and volume of your mix.
Ideal for altering the attack of your percussive instruments within a mix, TransMod can help finely tune the drums of your productions. With only a few dials, TransMod can be used to emphasise attack, adding hardness and punch to your sound or can be used to remove initial transient information to set your drums further back in the mix. Boosting the transient information will result in a tighter sound, ideal for removing the influence of ambience from a drum overhead microphone. Removing the initial transient information is perfect when working with electronic drum loops. TransMod can be used to replace the kick and snare samples found within a loop. By bringing the attack all the way down, you will keep the main body of the sound, sample, vocals or other instruments within the loop whilst effectively eliminating the kick and snare drum. This means then you could lay your own preferred samples over the top of the loop to create a new sound for your project.
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