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  1. Home >
  2. Studio & Production >
  3. Audio Interfaces >
  4. USB Audio Interfaces >
  5. RME Fireface 802 FS - 192 kHz USB Audio Interface

RME Fireface 802 FS - 192 kHz USB Audio Interface

  • Fireface 802 FS USB Audio Interface - Front
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  • RME Fireface 802 FS - 192 kHz USB Audio Interface - Angled
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  • Fireface 802 FS Audio Interface - Rear
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  • RME Fireface 802 FS 60-Channel Audio Interface - Lifestyle
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  • Fireface 802 FS USB Audio Interface - Front
  • RME Fireface 802 FS - 192 kHz USB Audio Interface - Angled
  • Fireface 802 FS Audio Interface - Rear
  • RME Fireface 802 FS 60-Channel Audio Interface - Lifestyle
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44 514 KčPrice Includes
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5-year warranty & 30-day money-back guarantee included

5-year warranty & 30-day money-back guarantee included
You can purchase from Gear4music with complete confidence and peace of mind. All of our products are new unless stated and come with a 30-day money-back guarantee and a 5-year warranty as standard.

Once the product is delivered, you'll have 30 days to decide that you definitely want to keep it. If you decide it's not suitable, you can return it to us for an exchange or a refund, providing the product is in 'as new' condition and in its original packaging.

We do everything we can to make sure the right item reaches you in perfect condition. If your order arrives damaged, or is incorrect, let us know within 14 days of receiving it and we'll arrange for a free collection.

If your goods develop a fault within the warranty period, we'll quickly repair or replace the item for you. If the fault occurs within the first 180 days of your ownership, we'll collect the goods and deliver them back to you free of charge.

We're unable to accept returns of any custom-made items designed to work together as a unique package. Some items are only eligible for the money-back guarantee if they are returned to us unused and sealed in the original packaging.

For full information on our returns policy, please refer to our returns and refunds information page.

If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.

Eligibility for Money Back Guarantee

Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software

We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.

In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.

When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.

Summary of returns policies and timescales

This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.

UK & Europe EU Standard Gear4music Standard Gear4music Optional
Return Period 14 days 30 days up to 180 days
Standard delivery charges refunded? Yes Yes Yes, up to 30 days
Upgraded delivery charges refunded? Standard costs only Standard costs only Standard costs only
Free collection on cancellation No No Yes, up to 30 days
Free collection if defective, delivered damaged or incorrect item Yes, within 14 days Yes, within 14 days Yes, within 30 days

We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.

10-year warranty & 180-day money-back guarantee included

10-year warranty & 180-day money-back guarantee included
You can purchase from Gear4music with complete confidence and peace of mind. All of our products are new unless stated and come with a 30-day money-back guarantee and a 5-year warranty as standard.

If you purchase our extended warranty for this product, we'll extend the money-back guarantee period to 180 days and the warranty period to 10 years.

This means that once the product is delivered, you'll have 180 days to decide that you definitely want to keep it. If you decide it's not suitable, you can return it to us for an exchange or a refund, providing the product is in 'as new' condition and in its original packaging.

We do everything we can to make sure the right item reaches you in perfect condition. If your order arrives damaged, or is incorrect, let us know within 14 days of receiving it and we'll arrange for a free collection.

If your goods develop a fault within the warranty period, we'll quickly repair or replace the item for you. If the fault occurs within the first 2 years of your ownership, we'll collect the goods and deliver them back to you free of charge.

We're unable to accept returns of any custom-made items designed to work together as a unique package. Some items are only eligible for the money-back guarantee if they are returned to us unused and sealed in the original packaging.

For full information on our returns policy, please refer to our returns and refunds information page.

If you decide your order isn't suitable for any reason you can return it - just let us know within 30 days of receiving it. Please keep hold of all the original packaging until you're sure you want to keep the order.

Eligibility for Money Back Guarantee

Important: For hygiene and software licensing reasons, some items are only eligible for our Money Back Guarantee if they are returned to us unused and sealed in the original packaging with all software still "unregistered." Details of exclusions are shown within the product descriptions. Products include:
- Monitors and Headphones
- Earplugs and Ear Protection
- Reeds and mouthpieces for woodwind and brass instruments
- Mouth and Lip-Care Products
- CDs, DVDs and Software

We can collect your return for a small fee, or you can send it back to us yourself. The collection fee can be found in the returns information on each product's page on Gear4music.

In the unlikely event that any item in this order is faulty, damaged or incorrect on receipt, notify us within 14 days and we'll arrange a free collection.

When returning an order please ensure products are appropriately packaged and protected, to prevent them from getting damaged.

Summary of returns policies and timescales

This table provides an overview of your statutory consumer rights, compared with our standard returns policy and optional extended money back guarantee and warranty.

UK & Europe EU Standard Gear4music Standard Gear4music Optional
Return Period 14 days 30 days up to 180 days
Standard delivery charges refunded? Yes Yes Yes, up to 30 days
Upgraded delivery charges refunded? Standard costs only Standard costs only Standard costs only
Free collection on cancellation No No Yes, up to 30 days
Free collection if defective, delivered damaged or incorrect item Yes, within 14 days Yes, within 14 days Yes, within 30 days

We are unable to accept returns of any custom made items designed to work together as a unique package and some items are only eligible for money back guarantee if they are returned to us unused and sealed in the original packaging. For full information on our returns policy, please refer to our returns and refunds information guide.

10 YEAR EXTENDED WARRANTY SCHEME

The product price includes 5 years' warranty and 30 day money back guarantee.

However, the Gear4music extended warranty scheme provides an enhanced service, and is designed to offer a higher level of protection than many 'free' warranties offered by some retailers and manufacturers.

The highlights of this enhanced warranty service are:

  • Warranty is extended to 10 years from the date of delivery.
  • Our Money Back guarantee is extended from 30 days to 180 days (terms apply after 30 days)
  • Collection and delivery costs are included for the first 2 years in the event of an item becoming faulty
  • Claim 50% cash back on the cost of the policy after 10 years if it has not been used!
  • Warranty is transferable if the item is re-sold
  • Loan or replacement equipment will be provided if the product isn't repaired within 30 days
  • If an item can not be repaired, a similar alternative product or cash discount (as defined in this policy) will be offered
  • The policy can be cancelled within 30 days, and at any time after that for a pro-rata discount

Please note that this extended warranty is currently only available on products sold within the UK, EU or EEA, and is subject to the terms and conditions as detailed on the extended warranty certificate provided.

For customers in outlying areas of the country, the price of the Extended Warranty may be marginally higher, due to the potential for higher collection and redelivery transport costs.

This enhanced warranty is in addition to the standard Gear4music and manufacturer warranty policies, and the Gear4music terms and conditions of trade. No statement or condition of sale contained within these terms affects or restricts your statutory rights as defined under the Consumer Contracts Regulation 2014.

Key Features

  • 60 channel interface (four-channel 192 kHz/24-bit record/playback via ADAT optical)
  • SteadyClock technology - super-stable digital clock
  • DDS technology allows you to freely set the sample rate
  • SyncAlign means you never need to swap channels with automatic sample align
  • Complete with TotalMix FX DSP Mixer and DIGICheck DSP software

RME Fireface 802 FS - 192 kHz USB Audio Interface Overview

RME

View this description in Czech

The RME Fireface 802 FS is a remarkable 192 kHz USB audio interface that redefines what professional sound is all about. Encased in a sleek 19-inch enclosure, this interface is a perfect solution for both live performances and studio recordings. It is built for those who refuse to compromise on sound quality, stability, and ultra-low latency operation and a wide range of pro-grade functions and controls.


With an astonishing 60 channels of audio, the Fireface 802 FS offers an extensive range of capabilities. Equipped with high-end microphone preamps and reference class converters, it ensures pristine audio quality that captures every nuance of your recordings. The interface also boasts a comprehensive effects section, allowing you to experiment and enhance your sound to perfection.


Operating at up to 192 kHz, the Fireface 802 FS delivers stunning clarity and precision. It's the perfect audio companion for musicians, producers, and engineers who demand nothing but the best. Its seamless integration with any professional setup makes it an indispensable tool for both professionals and enthusiasts alike.

Product Ref: 275455

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Full Description

View Full Description

High-end audio fidelity with four transparent preamps

Combining high-end analog circuitry with cutting-edge digital conversion technology, the Fireface 802 FS' balanced TRS and XLR I/Os, along with the headphone outputs, deliver exceptionally low noise and distortion values. With A/D and D/A converters operating at up to 192 kHz, high dynamic range playback is guaranteed. The interface's superior SteadyClock FS ensures state-of-the-art AD/DA conversion, even when using an external clock source.

Equipped with four transparent preamps, the Fireface 802 FS ensures pristine sound quality for microphones and instruments. These preamps incorporate low-latency converters and are based on the high-end OctaMic II preamp technology. They offer minimal distortion, a high signal-to-noise ratio, and a linear frequency response, making them suitable for a wide range of applications. The front inputs can also function as Hi-Z inputs, allowing direct connection of guitars and other instruments without the need for additional hardware.

Exceptional flexibility with high-end clock technology

The RME Fireface 802 FS is an exceptional USB audio interface that will take your recording setup to new heights. With ultra-low latency operation and RME's renowned driver stability, this interface ensures professional-grade performance. The included SteadyClock FS technology provides jitter suppression for crystal-clear audio. Plus, the Fireface 802 FS offers full stand-alone functionality and works seamlessly on both Windows PC and Mac.

The Fireface 802 FS boasts a newly developed analog and digital board, delivering enhanced performance and advanced features. The analog board offers DC-coupled analog outputs and state-of-the-art AD and DA converters. On the digital board, you can find updated high-tech components that enable exciting new functionalities.

Wide range of connectivity options including headphone outputs

The front panel of the Fireface 802 FS is equipped with four high-performance XLR/TRS combo inputs. These inputs can handle microphone, instrument, and line signals with ease. Additionally, two stereo headphone jacks with +17 dBu output level provide ample volume even for hi-impedance headphones.

At the rear panel, you'll find a wide range of connectivity options on the Fireface 802 FS. MIDI and Word Clock I/O, two optical ADAT I/Os, an AES/EBU I/O, and eight balanced analog inputs and outputs with line level are all available. The updated Multi-Mode even allows the ADAT I/Os to function as separate optical SPDIF inputs and outputs alongside the AES I/O. For added convenience, a USB A port is provided for direct connection to the optional ARC USB.

DC-coupled line-level outputs make the Fireface 802 FS ideal for controlling modular synthesizers and other studio hardware. Unlike AC-coupled outputs found on many other interfaces, the DC-coupled outputs ensure that control voltages (CV) and Gate information can be accurately transmitted to modular synths, such as Eurorack and Moog/MOTM/Synthesizers formats.

Complete with software bundle including TotalMix FX DSP Mixer

The Fireface 802 FS comes bundled with powerful applications for mixing, monitoring, and measurement. The TotalMix FX DSP mixer offers comprehensive routing and monitoring options, allowing you to create multiple latency-free monitor mixes with EQ, dynamics, reverb, and delay. The interface also includes the DigiCheck Analyzer, which enables precise measurement and analysis of the digital data feed in both directions.

Class-compliant design

Operating in both driver-based USB 2 and Class Compliant modes, the Fireface 802 FS offers flexibility and compatibility. The Class Compliant mode is natively supported by operating systems like Windows, Mac OSX, and Linux. No proprietary drivers are required, resulting in hassle-free recognition of the device. This interface supports USB 2.0 in Class Compliant Mode, allowing for driverless operation on Linux, Mac, and iPadOS.

ARC USB remote control (not included)

For convenient control over the Fireface 802 FS, you can connect the optional ARC USB. This USB 1.1 MIDI remote control directly interfaces with the TotalMix FX software, providing 15 assignable and illuminated buttons, an encoder wheel, and a foot switch jack. The ARC USB is compatible with both Windows and Mac OS X, and TotalMix FX will automatically detect and communicate with it for easy control of the interface.

The Fireface 802 FS can be configured and controlled directly via iPad, MIDI remote, or ARC USB. With 6 memory slots for permanent configuration storage, the interface can operate independently from a computer. It can even transform itself into different devices with a simple button press, thanks to its stand-alone operation feature.

What's Included

  • Fireface 802 FS
  • Cable USB 2.0, 1.8 m (6 ft) USB-A/B
  • Power cord
  • Manual
  • 1 optical cable (TOSLINK), 2 m (6.6 ft)
  • 4 rubber feet, self adhesive

Features

  • All settings can be changed in real-time
  • Selectable buffer sizes/latencies from 48 up to 8192 samples
  • 8 channels 96 kHz/24 bit Record/Playback via ADAT optical (S/MUX)
  • 4 channels 192 kHz/24 bit Record/Playback via ADAT optical (S/MUX4)
  • Master and slave clock modes
  • Automatic and intelligent master/slave clock control
  • Unsurpassed Bitclock PLL for audio synchronization in ADAT mode
  • SteadyClock feature for a jitter-immune, super-stable digital clock
  • DDS technology allows for free setting of the sample rate
  • SyncAlign feature guarantees sample aligned and non-swapping channels
  • SyncCheck feature tests and reports the synchronization status of input signals
  • TotalMix allows for latency-free submixes and perfect ASIO Direct Monitoring
  • TotalMix: 1800 channel mixer with 46 bit internal resolution
  • TotalMix FX includes 3-band EQ, Low Cut, Reverb, Echo, Compressor, Expander, and Auto Level
  • MIDI I/O supports 16 channels of high-speed, low-jitter MIDI
  • Includes 2 high-power, low impedance headphone outputs
  • DIGICheck DSP provides a hardware level meter, peak, and RMS calculation

Specifications

Analog

AD, Line IN 1-8, rear
  • Input: 6.3 mm TRS, electronically balanced
  • Signal to Noise ratio (SNR) @ LoGain: 116 dB (AES17), 118 dBA
  • Signal to Noise ratio (SNR) @ +4 dBu: 115 dB (AES17), 117 dBA
  • Frequency response @ 44.1 kHz, -0.1 dB: 8.9 Hz – 20.4 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 4.3 Hz – 45.2 kHz
  • Frequency response @ 192 kHz, -1 dB: 3 Hz – 89 kHz
  • Filter: Short Delay Sharp, 5 / 5 / 6 samples delay
  • THD @ -1 dBFS: < -120 dB, < 0.0001 percent
  • THD+N @ -1 dBFS: < -110 dB, < 0.00032 percent
  • Channel separation: > 110 dB
  • Maximum input level: +19 dBu
  • Input: 6.3 mm TRS jack, electronically balanced
  • Input impedance @ 1 kHz: 10 kOhm unbalanced, 10.6 kOhm balanced
  • Input sensitivity switchable between Lo Gain and +4 dBu
  • Input level for 0 dBFS @ Lo Gain: +19 dBu
  • Input level for 0 dBFS @ +4 dBu: +13 dBu
  • Variable digital gain: 0 to +12 dB
  • Minimum level for 0 dBFS: +1 dBu, -1.2 dBV
Microphone In 9-12, Front (as AD, but):
  • Input: XLR, electronically balanced
  • Input impedance: 3.4 kOhm
  • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
  • Gain range: 54 dB
  • Maximum input level, Gain +6 dB: +10 dBu
  • Maximum input level, Gain +60 dB: -44 dBu
  • CLIP LED: 0 dBFS
  • SIG LED: -42 dBFS
Instrument In 9-12, Front (As AD, but):
  • Input: XLR, electronically balanced
  • Input impedance: 3.4 kOhm
  • Signal to Noise ratio (SNR): 113 dB RMS unweighted, 116 dBA
  • Gain range: 54 dB
  • Maximum input level, Gain +6 dB: +10 dBu
  • Maximum input level, Gain +60 dB: -44 dBu
  • CLIP LED: 0 dBFS
  • SIG LED: -42 dBFS
DA - Stereo Monitor Output Phones (9-12) (As DA, but):
  • Output: 2 x 6.3 mm TRS stereo jack, unbalanced
  • Maximum output level at 0 dBFS: +17 dBu
  • Max power per channel @ 32 Ohm load, 0.02 percent THD: 200 mW (2.5 Vrms, +10 dBu)
  • Signal to Noise ratio (SNR): 116 dB (AES17), 118 dBA
  • Output impedance: 2 Ohm
DA, Line Out 1-8, rear
  • 6.3 mm TRS jack, servo-balanced
  • Signal to Noise ratio (SNR) @ HiGain: 116.5 dB (AES17), 118.5 dBA
  • Signal to Noise ratio (SNR) @ +4 dBu: 116 dB (AES17), 118 dBA
  • Signal to Noise ratio (SNR) @ -10 dBV: 107 dB (AES17), 109 dBA
  • Frequency response @ 44.1 kHz, -0.1 dB: 0 Hz – 20.2 kHz
  • Frequency response @ 96 kHz, -0.5 dB: 0 Hz – 44.6 kHz
  • Frequency response @ 192 kHz, -1 dB: 0 Hz – 77.5 kHz
  • THD+N: < -110 dB, < 0.00032 percent
  • Channel separation: > 110 dB
  • Output level switchable Hi Gain, +4 dBu, -10 dBV
  • Output level at 0 dBFS @ Hi Gain: +19 dBu
  • Output level at 0 dBFS @ +4 dBu: +13 dBu
  • Output level at 0 dBFS @ -10 dBV: +2 dBV (+4.2 dBu)
  • Output impedance: 75 Ohm

MIDI

  • 1 x MIDI I/O via 5-pin DIN jacks
  • Galvanically isolated by optocoupled input
  • Hi-speed mode: Jitter and response time typically below 1 ms
  • Separate 128 byte FIFOs for input and output

Digital

  • Clocks: Internal, ADAT In, AES In, SPDIF In, Word Clock In
  • Jitter suppression of external clocks: > 50 dB (> 1 Hz)
  • Effective clock jitter influence on AD and DA conversion: near zero
  • PLL ensures zero dropout, even at more than 100 ns jitter
  • Digital Bitclock PLL for trouble-free varispeed ADAT operation
  • Supported sample rates: 28 kHz up to 200 kHz

Digital Inputs

AES/EBU
  • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
  • High-sensitivity input stage (< 0.3 Vpp)
  • SPDIF compatible (IEC 60958)
  • Accepts Consumer and Professional format
  • Lock range: 27 kHz – 200 kHz
  • Jitter suppression: > 50 dB (> 1 Hz)
ADAT Optical
  • 2 x TOSLINK, format according to Alesis specification
  • Standard: 2 x 8 channels 24 bit, up to 48 kHz
  • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
  • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
  • Bitclock PLL ensures perfect synchronisation even in varispeed operation
  • Lock range: 31.5 kHz – 50 kHz
  • Jitter suppression: > 50 dB (> 1 Hz)
SPDIF optical (ADAT 1/2)
  • 1 x optical, according to IEC 60958
  • Accepts Consumer and Professional format
  • Lock range: 27 kHz – 200 kHz
  • Jitter suppression: > 50 dB (> 1 Hz)
Word Clock
  • BNC, not terminated (10 kOhm)
  • Switch for internal termination 75 Ohm
  • Automatic Double/Quad Speed detection and internal conversion to Single Speed
  • SteadyClock guarantees super low jitter synchronization even in varispeed operation
  • Not affected by DC-offsets within the network
  • Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
  • Overvoltage protection
  • Level range: 1.0 Vpp – 5.6 Vpp
  • Lock Range: 27 kHz – 200 kHz
  • Jitter suppression: > 50 dB (> 1 Hz)

Digital Outputs

AES/EBU
  • 1x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
  • Output level Professional 4.2 Vpp, Consumer 2.4 Vpp
  • Format Professional according to AES3-1992 Amendment 4
  • Format Consumer (SPDIF) according to IEC 60958
  • Single Wire mode, sample rate 28 kHz up to 200 kH
ADAT
  • 2 x TOSLINK, format according to Alesis specification
  • Standard: 2 x 8 channels 24 bit, up to 48 kHz
  • Double Speed (S/MUX): 2 x 4 channels 24 bit 96 kHz
  • Quad Speed (S/MUX4): 2 x 2 channels 24 bit 192 kHz
SPDIF optical (ADAT 1/2)
  • Format Consumer (SPDIF) according to IEC 60958
  • Sample rate 28 kHz up to 200 kHz
Word Clock
  • BNC
  • Max. output voltage: 5 Vpp
  • Output voltage @ 75 Ohm termination: 4.0 Vpp
  • Output impedance: 10 Ohm
  • Frequency range: 27 kHz – 200 kHz

General

Physical
  • Power supply: Internal switching PSU, 100 - 240 V AC, 30 Watt
  • Idle power consumption: 15 Watt
  • Typical power consumption: 22 Watt
  • Dimensions including rack ears (WxHxD): 483 x 44 x 242 mm (19" x 1.73" x 9.5")
  • Dimensions without rack ears/handles (WxHxD): 436 x 44 x 235 mm (17.2" x 1.73" x 9.3")
  • Weight: 2.8 kg ( 6.2 lbs)
  • Temperature range: +5 degrees up to +50 degrees Celsius (41 degrees Fahrenheit up to 122 degrees Fahrenheit)
  • Product Code: RME-FIREFACE-802-FS

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