Full Description

24-Bit/192 kHz Audio Quality

The Universal Audio Apollo Twin Solo Thunderbolt Audio Interface provides the perfect balance between analog connectivity and modern technology, supplying you with both microphone preamps and hi-z instrument inputs. Thanks to Universal Audio's 'Unison' technology, the Apollo Twin Solo's microphone preamps are designed to sound like classic tube and solid state preamps. This includes important impedance and gain stage 'sweet spots' creating a classic. The interface itself delivers up to 24-bit/192kHz for exceptional audio quality and clarity, perfect for capturing studio-quality recordings.

UAD Plug-In Processing

The Apollo Twin Solo Interface provides with the full range of UAD Powered plug-ins, including everything from compressors, tape machines, reverb and vintage EQ's, the processing power allows you to run these plug-in at near-zero latency in a range of audio software.

Thunderbolt Connection

The Apollo Twin Solo's Thunderbolt connection improves performance and response from the interface, featuring PCIe audio drivers for high-bandwidth and low-latency. A Thunderbolt connection deliver 12 times the bandwidth of a regular FireWire 800 connection, allowing you to connect a wide range of devices, including hard drives and HDMI/USB3 hubs.

Connectivity & Design

The Apollo Twin Solo features a 2-in/6-out configuration with two mic/line preamp, two analog monitor outputs and two analog line outputs for maximum versatility. it also features eight additional channels of digital inputs via the Optical connection. The two Hi-Z instrument inputs feature 1/4'' connectors, allowing you to connect and record instruments such as electric guitars with ease. Additionally, the Apollo Twin Solo features an integrated headphone jack for instant monitoring. The streamlined and sleek design of the Apollo Twin Solo makes it perfect for a standalone audio interface.

Features

• Desktop 2x6 Thunderbolt audio interface with world-class 24-bit/192 kHz audio conversion
• Single Realtime UAD Processing for tracking through vintage Compressors, EQs, Tape Machines, Mic Preamps, and Guitar Amp plug-ins with near-zero (sub-2ms) latency
• Thunderbolt connection for blazing-fast PCIe speed and rock-solid performance on modern Macs
• New Unison technology offers stunning models of classic tube and transformer-based mic preamps
• 2 premium mic/line preamps; 2 line outputs; front-panel Hi-Z instrument input and headphone output
• 2 digitally controlled analog monitor outputs for full resolution at all listening levels
• Up to 8 channels of additional digital input via Optical connection
• Uncompromising analog design, superior components, and premium build quality
• Includes "Realtime Analog Classics" UAD plug-in bundle, featuring Legacy editions of the LA-2A, Classic Audio Leveler, 1176LN Limiting Amplifier, and Pultec EQP-1A Program Equalizer, plus Softube Amp Room Essentials, 610-B Tube Preamp, and more
• Runs UAD Powered Plug-Ins via Audio Units, VST, RTAS & AAX 64 in all major DAWs
• Requires Mac OS X 10.8 Mountain Lion or 10.9 Mavericks

Specifications

• Microphone Inputs: Two
• Analog Line Inputs: Two
• Hi-Z Instrument Inputs: One
• Analog Line Outputs: Two (independent mix buses)
• Analog Monitor Outputs: Two (one stereo pair, independent L/R mix buses)
• Headphone Outputs: One stereo pair (independent L/R mix buses)
• Digital Input Port: (TOSLINK optical) One (ADAT or S/PDIF, selectable)
• Thunderbolt Port: One (Thunderbolt 2 compatible)
• Supported Sample Rates (kHz): 44.1, 48, 88.2, 96, 176.4, 192
• Bit Depth Per Sample: 24
• Simultaneous A/D conversion: Two channels
• Simultaneous D/A conversion: Six channels
• Analog Round-Trip Latency: 1.1 milliseconds @ 96 kHz sample rate
• Analog Round-Trip Latency with up to four serial UAD Powered Plug-Ins via Console application: 1.1 milliseconds @ 96 kHz sample rate

• Jack Type (combo mic/line balanced inputs): Female ¼” TRS Balanced
• Dynamic Range (A–weighting): 117.5 dB
• Signal-to-Noise Ratio (A–weighting): 117.5 dB
• Total Harmonic Distortion + Noise: –108 dBFS
• Common-Mode Rejection Ratio (CMRR): Greater than 60 dB (10’ cable)
• Frequency Response: 20 Hz – 20 kHz, ±0.1 dB
• Input Impedance: 10K Ohms
• Gain Range: +10 dB to +65 dB
• Maximum Input Level (@ Minimum Gain): 18 dBV
• Maximum Input Level (@ Maximum Gain): –37 dBV
• Stereo Level Balance: ±0.05 dB

• Jack Type (combo mic/line balanced inputs): Female XLR Balanced (pin 2 positive)
• Phantom Power (switchable per input): +48V
• Dynamic Range (A–weighting): 118 dB
• Signal-to-Noise Ratio (A–weighting): 118 dB
• Total Harmonic Distortion + Noise: –110 dBFS
• Equivalent Input Noise: –127 dB
• Frequency Response: 20 Hz – 20 kHz, ±0.1 dB
• Common-Mode Rejection Ratio (CMRR): Greater than 70 dB (10’ cable)
• Default Input Impedance: 5.4K Ohms (variable via Unison preamp model)
• Gain Range: +10 dB to +65 dB
• Pad Attenuation (switchable per input): 20 dB (variable via Unison preamp model)
• Maximum Input Level (@ Minimum Gain, with Pad): 23.8 dBV
• Maximum Input Level (@ Maximum Gain, with Pad): –31.2 dBV

• Jack Type: 1/4'' Female TRS Balanced
• Dynamic Range (A–weighting): 118 dB
• Signal-to-Noise Ratio (A–weighting): 118 dB
• Total Harmonic Distortion + Noise: –107 dBFS
• Frequency Response: 20 Hz – 20 kHz, ±0.1 dB
• Stereo Level Balance: ±0.05 dB
• Channel Separation: Greater than 120 dB
• Output Impedance: 600 Ohms
• Maximum Output Level: 18 dBV

• Power Supply: External AC to DC
• AC Connector Type: Changable blades (UL, VDE, UK, SSA, CCC)
• AC Requirements: 100V – 240V AC, 50 – 60 Hz
• DC Connector Type: Male plug, 2.1 mm x 5.5 mm, center positive
• DC Requirements: 12 VDC, ±5
• Maximum Power Consumption: 12 Watts

• Width: 6.31”
• Height: 2.60”
• Depth, Chassis Only: 5.86”
• Depth, Including Knob & Jack Protrusions: 6.20”
• Shipping Box (Length x Width x Height): 8” x 8” x 5.5” (20.32cm x 20.32cm x 13.97cm)

• Shipping Weight (with box & accessories): 3.85 pounds
• Weight (bare unit): 2.35 pounds